Category Archives: Poem of the Week

Poem of the Week: The Coming of Light by Mark Strand via Alison McGhee

Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow’s dust flares into breath.

A big thank you to Alison McGhee for curating these beautiful poems.
​For  more information on Mark Strand, please click here.

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Poem of the Week: Last Night I Had a Dream – via Alison McGhee

Last Night I Had a Dream
– Antonio Machado (translated by Alan Trueblood)

Last night I had a dream–
a blessed illusion it was–
I dreamt of a fountain flowing
deep down in my heart.
Water, by what hidden channels
have you come, tell me, to me,
welling up with new life
I never tasted before?

Last night I had a dream–
a blessed illusion it was–
I dreamt of a hive at work
deep down in my heart.
Within were the golden bees
straining out the bitter past
to make sweet-tasting honey,
and white honeycomb.

Last night I had a dream–
a blessed illusion it was–
I dreamt of a hot sun shining
deep down in my heart.
The heat was in the scorching
as from a fiery hearth;
the sun in the light it shed
and the tears it brought to the eyes.

Last night I had a dream–
a blessed illusion it was–
I dreamed it was God I’d found
deep down in my heart.

A big thank you to Alison McGhee for generously curating these beautiful poems.

For more information on Antonio Machado, please click here.

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Poem of the Week: Don’t You Wonder Sometimes? by Tracy K. Smith via Alison McGhee

Don’t You Wonder, Sometimes?
– Tracy K. Smith

1.

After dark, stars glisten like ice, and the distance they span
Hides something elemental. Not God, exactly. More like
Some thin-hipped glittering Bowie-being—a Starman
Or cosmic ace hovering, swaying, aching to make us see.
And what would we do, you and I, if we could know for sure

That someone was there squinting through the dust,
Saying nothing is lost, that everything lives on waiting only
To be wanted back badly enough? Would you go then,
Even for a few nights, into that other life where you
And that first she loved, blind to the future once, and happy?

Would I put on my coat and return to the kitchen where my
Mother and father sit waiting, dinner keeping warm on the stove?
Bowie will never die. Nothing will come for him in his sleep
Or charging through his veins. And he’ll never grow old,
Just like the woman you lost, who will always be dark-haired

And flush-faced, running toward an electronic screen
That clocks the minutes, the miles left to go. Just like the life
In which I’m forever a child looking out my window at the night sky
Thinking one day I’ll touch the world with bare hands
Even if it burns.


For more information on Tracy K. Smith, please click here: http://www.nytimes.com/roomfordebate/2014/07/18/does-poetry-matter/wipe-that-smirk-off-your-poem


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Poem of the Week: When You Are Old – William Butler Yeats – via Alison McGhee

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

A big thank you to Alison for curating these poems.

​For more information on Yeats, please click here.

My blog: alisonmcghee.com/blog

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Poem of the Week: For a Traveler by Jessica Greenbaum via Alison McGhee

For a Traveler
– Jessica Greenbaum

I only have a moment so let me tell you the shortest story,
about arriving at a long loved place, the house of friends in Maine,
their lawn of wildflowers, their grandfather clock and candid
portraits, their gabled attic rooms, and woodstove in the kitchen,
all accessories of the genuine summer years before, when I was
their son’s girlfriend and tied an apron behind my neck, beneath
my braids, and took from their garden the harvest for a dinner
I would make alone and serve at their big table with the gladness
of the found, and loved. The eggplant shone like polished wood,
the tomatoes smelled like their furred collars, the dozen zucchini
lined up on the counter like placid troops with the onions, their
minions, and I even remember the garlic, each clove from its airmail
envelope brought to the cutting board, ready for my instruction.
And in this very slight story, a decade later, I came by myself,
having been dropped by the airport cab, and waited for the family
to arrive home from work. I walked into the lawn, waist-high
in the swaying, purple lupines, the subject of June’s afternoon light
as I had never been addressed — a displaced young woman with
cropped hair, no place to which I wished to return, and no one
to gather me in his arms. That day the lupines received me,
and I was in love with them, because they were all I had left,
and in that same manner I have loved much of the world since then,
and who is to say there is more of a reason, or more to love?

 
A big thank you to Alison McGhee for curating these gems.
​For more information on Jessica Greenbaum, please click here:http://www.poetryfoundation.org/bio/jessica-greenbaum

My blog: alisonmcghee.com/blog

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Poem of the Week: Anyways Suzanne Clearly (for David) via Alison McGhee

Anyone born anywhere near
my home town says it this way,
with an s on the end:
“The lake is cold but I swim in it anyways,”
“Kielbasa gives me heartburn but I eat it anyways,”
“(She/he) treats me bad, but I love (her/him) anyways.”
Even after we have left that place
and long settled elsewhere, this
is how we say it, plural.
I never once, not once, thought twice about it
until my husband, a man from far away,
leaned toward me, one day during our courtship,
his grey-green eyes, which always sparkle,
doubly sparkling over our candle-lit meal.
“Anyway,” he said. And when he saw
that I didn’t understand, he repeated the word:
“Anyway. Way, not ways.”
Corner of napkin to corner of lip, he waited.
I kept him waiting. I knew he was right,
but I kept him waiting anyways,
in league, still, with me and mine:
Slovaks homesick for the Old Country their whole lives
who dug gardens anyways,
and deep, hard-water wells.
I looked into his eyes, their smoky constellations,
and then I told him. It is anyways, plural,
because the word must be large enough
to hold all of our reasons. Anyways is our way
of saying there is more than one reason,
and there is that which is beyond reason,
that which cannot be said.
A man dies and his widow keeps his shirts.
They are big but she wears them anyways.
The shoemaker loses his life savings in the Great Depression
but gets out of bed, every day, anyways.
We are shy, my people, not given to storytelling.
We end our stories too soon, trailing off “Anyways….”
The carpenter sighs, “I didn’t need that finger anyways.”
The beauty school student sighs, “It’ll grow back anyways.”
Our faith is weak, but we go to church anyways.
The priest at St. Cyril’s says God loves us. We hear what isn’t said.
This is what he must know about me, this man, my love.
My people live in the third rainiest city in the country,
but we pack our picnic baskets as the sky darkens.
We fall in love knowing it may not last, but we fall.
This is how we know home:
someone who will look into our eyes
and say what could ruin everything, but say it,
regardless.

Thank you to Alison McGhee for curating these beautiful poems.
For more information on Suzanne Cleary, please click here: http://www.suzanneclearypoet.com/

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Poem of the Week: Needle and Thread By Dorianne Laux

It was the sixties, and embroidery was back in,
and if you had jeans torn at the knee, an old
denim jacket, a plain white shirt or a cloth
handbag, I might ask you what you liked
then spend hours alone in my room
with your favorite colors, woven threads
luxurious as a young girl’s hair, practicing
the chain stitch, cross stitch, running stitch,
satin stitch across your ripped skirt until
flowers and suns unfurled, a blustery field
of violet iris, a blind yellow meadow or a deep ravine
that scrolled down your back or pants seam,
red ferns blushing your blouse above
a clavicle, daisy chains circling your cuffs.
I’d return your garment on a day you had almost
forgotten about it, baggy T-shirt, ragged shorts,
laid across my arms so the crewel work
shimmered, patchwork of hearts, patina
of wings, like the riven marble draped
beneath Christ’s Pieta, folds catching the light,
offering it up as a sacrifice, asking nothing in return,
though you bowed your head over it and touched it
with your whorled fingertips, the veined leaf
or cresting wave, frothed, feathered, spiders’ webs
and fleur-de-lis, peace signs and scepters and stars,
then looked up into my face like an alien being, you
who I hardly knew.


A big thank you to Alison McGhee for curating these beautiful poems!
​For more information on Dorianne Laux, please click here: http://doriannelaux.com/​

My blog: alisonmcghee.com/blog

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Poem of the Week: When the Burning Begins – Patricia Smith for her father Otis Douglas Smith

The recipe for hot water cornbread is simple:
Cornmeal, hot water. Mix till sluggish,
then dollop in a sizzling skillet.
When you smell the burning begin, flip it.
When you smell the burning begin again,
dump it onto a plate. You’ve got to wait
for the burning and get it just right.

Before the bread cools down,
smear it with sweet salted butter
and smash it with your fingers,
crumple it up in a bowl
of collard greens or buttermilk,
forget that I’m telling you it’s the first thing
I ever cooked, that my daddy was laughing
and breathing and no bullet in his head
when he taught me.

Mix it till it looks like quicksand, he’d say.
Till it moves like a slow song sounds.

We’d sit there in the kitchen, licking our fingers
and laughing at my mother,
who was probably scrubbing something with bleach,
or watching Bonanza,
or thinking how stupid it was to be burning
that nasty old bread in that cast iron skillet.
When I told her that I’d made my first-ever pan
of hot water cornbread, and that my daddy
had branded it glorious, she sniffed and kept
mopping the floor over and over in the same place.

So here’s how you do it:

You take out a bowl, like the one
we had with blue flowers and only one crack,
you put the cornmeal in it.
Then you turn on the hot water and you let it run
while you tell the story about the boy
who kissed your cheek after school
or about how you really want to be a reporter
instead of a teacher or nurse like Mama said,
and the water keeps running while Daddy says

You will be a wonderful writer
and you will be famous someday and when
you get famous, if I wrote you a letter and
sent you some money; would you write about me?

and he is laughing and breathing and no bullet
in his head. So you let the water run into this mix
till it moves like mud moves at the bottom of a river,
which is another thing Daddy said, and even though
I’d never even seen a river,
I knew exactly what he meant.
Then you turn the fire way up under the skillet,
and you pour in this mix
that moves like mud moves at the bottom of a river,
like quicksand, like slow song sounds.

That stuff pops something awful when it first hits
that blazing skillet, and sometimes Daddy and I
would dance to those angry pop sounds,
he’d let me rest my feet on top of his
while we waltzed around the kitchen
and my mother huffed and puffed
on the other side of the door. When you are famous,
Daddy asks me, will you write about dancing
in the kitchen with your father?
I say everything I write will be about you,
then you will be famous too. And we dip and swirl
and spin, but then he stops.
And sniffs the air.

The thing you have to remember
about hot water cornbread
is to wait for the burning
so you know when to flip it, and then again
so you know when it’s crusty and done.
Then eat it the way we did,
with our fingers,
our feet still tingling from dancing.
But remember that sometimes the burning
takes such a long time,
and in that time,
sometimes,

poems are born.

 

For more information on Patricia Smith, please click here: http://www.wordwoman.ws/

A big thank you to Alison McGhee for finding and posting these beautiful treasures.

My blog: alisonmcghee.com/blog

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Poem of the Week: Mother by Ted Kooser – via Alison McGhee

I love this poem. Love it. Thanks to Alison McGhee for sending this beautiful poems out to new audiences and into the hearts and minds of others.

 

Mid April already, and the wild plums
bloom at the roadside, a lacy white
against the exuberant, jubilant green
of new grass an the dusty, fading black
of burned-out ditches. No leaves, not yet,
only the delicate, star-petaled
blossoms, sweet with their timeless perfume.

You have been gone a month today
and have missed three rains and one nightlong
watch for tornadoes. I sat in the cellar
from six to eight while fat spring clouds
went somersaulting, rumbling east. Then it poured,
a storm that walked on legs of lightning,
dragging its shaggy belly over the fields.

The meadowlarks are back, and the finches
are turning from green to gold. Those same
two geese have come to the pond again this year,
honking in over the trees and splashing down.
They never nest, but stay a week or two
then leave. The peonies are up, the red sprouts
burning in circles like birthday candles,

for this is the month of my birth, as you know,
the best month to be born in, thanks to you,
everything ready to burst with living.
There will be no more new flannel nightshirts
sewn on your old black Singer, no birthday card
addressed in a shaky but businesslike hand.
You asked me if I would be sad when it happened

and I am sad. But the iris I moved from your house
now hold in the dusty dry fists of their roots
green knives and forks as if waiting for dinner,
as if spring were a feast. I thank you for that.
Were it not for the way you taught me to look
at the world, to see the life at play in everything,
I would have to be lonely forever.



​For more information on Ted Kooser, please click here: http://tedkooser.net/



My blog: alisonmcghee.com/blog

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Poem of the Week: Timetable by Kate Clanchy (via Alison McGhee)

We all remember school, of course:
the lino warming, shoe bag smell, expanse
of polished floor. It’s where we learned
to wait: hot cheeked in class, dreaming,
bored, for cheesy milk, for noisy now.
We learned to count, to rule off days,
and pattern time in coloured squares:
purple English, dark green Maths.

We hear the bells, sometimes,
for years, the squeal and crack
of chalk on black. We walk, don’t run,
in awkward pairs, hoping for the open door,
a foreign teacher, fire drill. And love
is long aertex summers, tennis sweat,
and somewhere, someone singing flat.
The art room, empty, full of light.

 

A big thank you to Alison McGhee for her beautiful curating of these poems.

​For more information on Kate Clanchy, please click here: http://www.scottishpoetrylibrary.org.uk/poetry/poets/kate-clanchy



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