I couldn’t put it down from the moment I read the first page. The story of a missing anybody is always compelling. What happened to them? Why did they leave? Are they dead or alive? What led to their disappearance? And who is left behind to wonder?
Swimming Lessons is the story of Flora Coleman, a young woman whose mother disappears when she’s eleven. It’s also the story of her mother Ingrid Coleman, as told through letters she has written and hidden in books throughout their house to her famous husband, the writer, Gil Coleman.
Flora returns to her childhood ramshackle seaside home to help care for her ailing father who believes he has seen Ingrid. Flora, herself doesn’t believe her mother is dead and often sees her. You’re never sure whether this is real longing for a mother who simply disappears but is assumed drowned or if in fact, Ingrid, whose life had become isolated and unbearable disappeared herself.
Just as there are no certainties in life, the reader too must decide in the end what happened to Ingrid Coleman.
What makes this book so compelling is the contents of the letters Ingrid writes to Gil, each one revealing to him what she could never say during the course of their tumultuous marriage. In Ingrid’s last letter she instructs Gil on how to care for their two young children. Is it a suicide note or a goodbye of another kind?
That she has reason to leave him is clear. When they first meet in the sixties in London, he is her handsome, flamboyant English instructor almost twenty years her senior, and she is a twenty year old student from Norway. Everything from the very beginning screams, run away, choose life number two and stay free, as her friend Louise warns her but she falls deeply in love and becomes pregnant. And the rest is history. She can’t escape the reality of her life as a somewhat reluctant mother, a husband who is emotionally and physically absent and the numerous heartbreaks along the way. That she lasted as long as she did seems a miracle but the letters describing the heady romance of their early days seems deep enough to last a lifetime and this love, in spite of everything, keeps her hanging on. If only he had loved her as she had loved him. And when she does think of leaving, the reality of being a young woman with no education stop her at the front door. How could she manage?
In the end Flora, her youngest daughter has to decide if she can let her mother live or if she has to put her to rest. It’s how we square the circle and find peace in the end and each one including Gil finds it their own way.
I loved this book. It was beautifully written, giving the reader an incredible sense of place and time and a snapshot of a young woman who’s heart was broken by love.
I feel as if we opened a book about great ocean voyages and found ourselves on a great ocean voyage: sailing through December, around the horn of Christmas and into the January Sea, and sailing on and on
in a novel without a moral but one in which all the characters who died in the middle chapters make the sunsets near the book’s end more beautiful.
And someone is spreading a map upon a table, and someone is hanging a lantern from the stern, and someone else says, “I’m only sorry that I forgot my blue parka; It’s turning cold.”
Sunset like a burning wagon train Sunrise like a dish of cantaloupe Clouds like two armies clashing in the sky; Icebergs and tropical storms, That’s the kind of thing that happens on our ocean voyage —
And in one of the chapters I was blinded by love And in another, anger made us sick like swallowed glass & I lay in my bunk and slept for so long, I forgot about the ocean, Which all the time was going by, right there, outside my cabin window.
And the sides of the ship were green as money, and the water made a sound like memory when we sailed.
Then it was summer. Under the constellation of the swan, under the constellation of the horse.
At night we consoled ourselves By discussing the meaning of homesickness. But there was no home to go home to. There was no getting around the ocean. We had to go on finding out the story by pushing into it — The sea was no longer a metaphor. The book was no longer a book. That was the plot. That was our marvelous punishment.
The Round House by Louise Erdrich is a treasure of a read. I grew up in Ontario but have lived most of my adult life in British Columbia. We were never taught indigenous, First Nation or Inuit history in lower and high school and although I went on to study history, I focused on Middle Eastern and American studies. Today, of course, I am much more aware of the sad history of my country and its first people and the more I learn the more horrified I am at the continued injustices that permeate our governance structure.
The Round House is a coming of age story that is told from the perspective of 13 year Joe Coutts, who grows up on an Ojibwe reservation in North Dakota. Set in 1988, the novel offers a glimpse of a young boy on the cusp of manhood, who over the course of a few months, avenges the horrifying rape of his mother. The tragedy drives the action in the novel but in many ways is a backdrop to the delightful cast of characters who live on the reserve with Joe including his close circle of friends Cappy, Zack and Angus. Joe’s father, Bazil is a judge and after the assault begins to share details of other criminal cases with his son. Joe and his friends become embroiled in solving the crime and in so doing, come to an understanding that the complex legal system and land issues could let the perpetrator go free.
While the story is dark, it is a beautiful evocation of the complexities that have resulted from stealing indigenous land and creating reserves. It’s a coming of age story that is oddly funny, incredibly tragic with writing that captures the beauty of people at one with the natural world and the characters that fuel generational mythology. So happy I found this book and want to thank my book fairy Cynthia for pressing this into my hands and saying “Read it. Read it.”
You are hometown. You are all my favorite places the last summer I grew up. Every once in a while I write you in my head to ask how Vietnam and a big name college came between us. We tried to stay in touch through the long distance, the hum and fleck of phone calls.
It was inevitable that I should return to the small prairie town and find you pumping gas, driving a truck, measuring lumber, and we’d exchange weather talk, never able to break through words and time to say simply: “Are you as happy as I wanted you to be?”
And still I am stirred by musky cigarette smoke on a man’s brown suede jacket. Never having admitted the tenderness of your hands, I feel them now through my skin. Parking on breezy nights, in cars, floating passageways, we are tongue and tongue like warm cucumbers. I would walk backwards along far country roads through late evenings cool as moving water, heavy as red beer, to climb into that August.
In the dark lovers’ lanes you touched my face and found me here.
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We Need to Talk about Kevin by Lionel Shriver freaked me out from beginning to end. Every word, sentence, and page draws you into the head of Eva Katchadourian as she writes to her estranged husband about the story of their family and their son who goes on a murderous rampage.
Eva is a successful travel book publisher and entrepreneur, and her husband is an equally successful location scout. Pre-children they are the NYC couple you’re jealous of. They own a loft, she travels extensively to exotic locales, she runs her company and when she’s not doing that she and Franklin enjoy drunken soirees with their equally successful New York hipster friends. But the time arrives when the meaninglessness of their existence tugs at them and they decide to have a child.
Eva entertains motherhood reluctantly while Franklin turns into Daddy monster, a man who now only thinks about the needs of the baby. Eva from the beginning is diminished by her husband’s pivot to fatherhood and when Kevin is born she slides further into existential crisis when she fails to bond with her child.
Kevin, she believes, has it in for her, and as a child he poses a threat to her, her lifestyle and her marriage. His refusal to speak, until he delivers full and complete thoughts and sentences demonstrates to her the deviousness of his mind. He bides his time to agonize and frustrate his mother. At six she is still changing his diapers, awkwardly cleaning the poop of the too large boy who refuses to potty train….until one day he simply decides to do it. She thinks that all along he knows precisely what he needs to do but simply chooses not to in order to frustrate his reluctant and increasingly bitter mother. Kevin is smart and she knows it.
Meanwhile Franklin does everything he can to support and love the boy, driving a wedge between the once happy and in-love couple. Eva never loses the sense that Kevin is not what he seems, that he is one thing to his mother and another to his father. There is no one true Kevin. Kevin is a master manipulator incapable of being true to anything or anyone. And he is unkind,
By the time Kevin commits the ultimate horrifying crime you don’t know who to believe. Is Franklin right? Is Eva a monster who has nurtured her son’s cold animosity through her own dislike of the boy? And there’s Franklin who to me, never feels real or genuine. His “Hey Son let’s play” hits a false note every time. Does he counter his son’s oddness by overcompensating and creating his own version of Leave it to Beaver? And then there’s Eva….who’s distrust of her own child starts with her pregnancy and never abates. It’s hard to know who the real monster really is. Admittedly, I didn’t sleep much when I was reading this book. The question of who we really are and how monsters are created is at the heart of this book. I loved it and hated it at the same time. But I still think about the book and the fictitious Khatchadourian family, which makes it a provocative read.
Through Hermitage Capital Browder becomes a prominent shareholder in numerous Russian gas companies, but his trail of research brings him in direct conflict with corrupt bureaucrats, law enforcement and Putin himself. His offices are raided, he’s accused of tax evasion and ultimately his lawyer, Sergei Magnitsky, is brutally murdered by the Russian state and a warrant is issued for Browder’s arrest.
Of course I’ve condensed hundreds of pages of this crazy story into three paragraphs so I’m not even beginning to do this book justice. Ultimately Browder turns activist in defence of Sergei and his tireless advocacy results in the passing of the Magnisky Act by Barack Obama. The act authorizes the US government to sanction those who it sees as human rights offenders, freezing their assets, and ban them from entering the U.S.
If there is an interesting thing about this book it’s just how nuts the whole story is. Like really? This is how the world of international investment and finance works? I guess so. And Bill Browder, is at the centre of it from the beginning when he saw the opportunity the Russian market offered to investors like himself and his wealthy clients. There is no question, he’s a driven guy. He’s either making crazy amounts of money or avenging his friends death. This man is a risk taker no matter what he does and there is something heroic if not a little crazy about this story.
The other “elephant in the room” is Russia. Russia is just a bit creepy these days with it’s wanting to take over the world by destroying western democracies. What we see is just the tip of the iceberg. I would love to have dinner and few drinks with Rob Mueller (I know, he’d never talk but one can dream). According to Bill Browder, Russia is a thug state. And that’s probably something we should all be just a little worried about. I give this book a thumbs up!