When I was away in Europe these past three weeks, I read The Virgin Suicides, the only book I probably could have managed to read other than “How to Learn Italian Real Fast”. I had seen the movie a number of years ago and liked it but reading the book reminded me how much more of a book reader I am, than a movie lover. Don’t get me wrong. I love movies but because I am more a word person than an image person, I have a deeper love and excitement when I read great books. Reading the book after seeing the movie made me realize that movies can do justice in so many ways, but by necessity they have to leave out so many of the words. And when I read The Virgin Suicides on this trip I was reminded of this.
The opening paragraph let’s us know immediately what will transpire in the book:
“On the morning the last Lisbon daughter too her turn at suicide – it was Mary this time, and sleeping pills, like Therese – the two paramedics arrived at the house knowing exactly where the knife drawer was, and the gas oven, and the beam in the basement from which it was possible to tie a rope.”
And from here Jeffrey Eugenides takes the reader on a walk down memory lane to an American family suburb of the 70s where middle-age men who had once loved and known the 5 Lisbon girls in their youth, tell the story of their undoing through the lens of memory and interviews.
The book reminded me of Laurie and Ian, two students I knew in high school. I didn’t know them well but I knew Laurie well enough that when she came to our grad dinner and told me about her troubles at home because her parents were divorcing, I offered that she stay at my house because my mother had gone to Europe for the summer. She said she would take my number and let me know. A week or so later a friend of Laurie’s called to say that she and Ian had commit suicide. A double suicide. In her parents garage.
Like the Lisbon girls, in this weirdly beautiful, tragic tale, nobody could quite figure out why Laurie and Ian did it. But in this book you can piece together a family, a neighbourhood, a time, and pieces of the girls lives through people who knew them, but you never really get to know the girls themselves.
That great mystery of death, made even stranger when death is chosen, only leaves you with this strange memory. Snapshots of conversations transport you as memory serves, to a another time, that inexplicably still feels like right next door, so familiar, so still right now. I thought it was a beautiful way to tell the story.
A Visit From the Goon Squad – by Jennifer Egan (book commentary)
The book essentially follows the lives of Bennie and Sasha. Bennie was a once famous music producer and Sasha is his assistant. The backdrop is the music industry which spans Bennie’s early punk days in California as a teenager to him as a sixty year old man struggling against the changes in a collapsing and every changing industry. Sasha is his longtime troubled kleptomaniac assistant.
How we get to the story of these two characters and sometimes broken lives is told by telling the stories of select other people who’s lives intersect with Bennie and Sasha. Does that make sense? There is no continuous narrative arc which truthfully I found a little strange at first because I just wanted the goods on Bennie and Sasha and each chapter seemed to be about someone else – but then slowly the tableau becomes apparent and you can see the trajectory of two lives lost and then found again (or not but that’s just life) including those of the people around them.
When I think about it – the structure Egan creates is a closer approximation to life in some ways. For example, I have my own life story (which appears as random memories to me and only as a narrative with select details if I or someone else chooses to tell it) and the people who know me have their stories about me including the life changing intersections we all share with each other. That’s how this book works I think.
In the end you have your ‘ah hah’ moment when all the disparate dots come together. Also, Egan frequently drops bread crumbs along the way by unexpectedly telling the reader what happens to a character 20 to 30 years down the road and there’s something very satisfying in that.
Two things that stand out in my mind are this. There is a line in the book when one of the secondary characters recognizes that a single moment in her life has transitioned her from childhood/teenage years to adulthood and that was worth the cost of the book itself. That was a beautiful and difficult moment that I have been left pondering since. What is the single moment that takes a person from one being one thing to another? That transitions you from one life to another, from being one kind of person to another?
Item two relates to what I have just written – I think that many of the characters in this book are forced away or travel away from their innocence Jocelyn/Sasha/Rob/Drew/Bennie/Rebecca/Lou/S – they travel away from potential, possibility, happiness, neat happy endings . Then over the course of the years you witness those small but momentous decisions or life experiences that bring the characters to that next place in their lives. Of course, real life works this way too. It was an interesting book.
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